Here’s a closer look at the cue list:Īt the top is a pre-show announcement which has two versions, one of which is armed to play depending on the cart selection, and the other of which is disarmed. Because each selection requires a number of cues to be executed, the cart cues are Start cues which trigger a Group cue in a separate cue list which contains Network cues appropriate for each selection. As each cue is clicked, the selection is indicated by a change in color and by the disarming and arming of cues in the main cue list, on the left, to correspond to choices for that performance. Each column represents a character and contains buttons for selecting which cast member will be playing each character, or in the case of the third column whether an announcement appropriate for a matinée or evening performance is played. On the right is the cue cart which contains six Start cues. Here it is in action best viewed full screen: This simplified example is for voiceover audio cues in a play with two characters with a single understudy for each part. It also has sophisticated features like mirroring changes to a backup QLab system. His original controls photographs and name captions for a video title sequence for a large number of roles with many alternates or understudies. This method is a simplified version of a workspace programmed by Andy Leviss. This requires QLab 4 to work at all, and QLab 4.1 or later to pop out the cart list so you can see both the cart and your main cue list at once. Set q name of cue "CAST" to "ANN" & " SELECTED" end tell Using Carts as the Selector Interface The final cue in each group is a Script cue, which sets the cue name of the Memo cue, numbered CAST, in the main cue list, to the name of the cast member selected. So if all voiceover cues have the name of the actor after their number, then they will all be selected for the arm or disarm. Would select any cue whose number was (anything) ANN. The 9000-range cues are in a separate cue list and contain groups of OSC cues, which arm or disarm the relevant voiceover cues. Start cue "9992" else if actor = "CAZ" then Start cue "9991" else if actor = "BRIDGET" then Tell application id ".3" to tell front workspace Set actorlist to set actor to (choose from list actorlist with title "VO Selector" with prompt "At this performance Cosette will be played by?" ) as string Depending on which actor is selected, a different cue is run. How It WorksĪ Script cue with the hotkey ? displays a list of actors to choose from. The method can be easily adapted to suit more complex requirements. This is a simple example which allows the operator to choose to activate a single set of course out of a choice between three sets. The current selection is clearly visible in a Memo cue at the top of the cue list. The selection of cues is made from a dialog at the top of the main list. In QLab 4 and QLab 5, that cue type is called the “Network cue”. In QLab 3, the type of cue which sends OSC messages is called the “OSC cue”. This method is described at the end of this article. If you’re using QLab 4 or QLab 5, there is another, much better method devised by Andy Leviss which uses cue carts. The version described below works in all versions of QLab 3, QLab 4, and QLab 5. The method illustrated here is based on an OSC method by Chris Ashworth. With the introduction of OSC cues, which can use wildcards in custom OSC strings, this process has been made much easier. There have been lots of solutions to this problem using AppleScript. In shows with voice-over recordings, click tracks, or videos featuring characters, it is often necessary to have a quick and reliable way of selecting which cues will be used in a performance based on who will be performing.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |